Malang 4th Day (Monday) Box Office Collection Report: Decent
Malang has started its box office journey on a decent note. The film needs to have much better trends.
Malang 4th Day (Monday) Box Office Collection Report: Malang has a decent start to its box office journey at the box office. Despite not so popular star cast, the film has decent trends at the box office.
Malang is facing tough competition from Tanhaji which has already dominated all the films at the box office. There are other films also running at the box office like Jawani Jaaneman, Street Dancer 3D and Shikara. This might also affect the film’s business in some way or the other.
Malang 4th Day (Monday) Box Office Collection Report: Occupancy
The film has a slow start in the 1st half on Friday. But the trend got improved as the day progressed. On Saturday the film recorded lower occupancy due to elections in Delhi as theatres in those areas were closed.
Malang recorded a growth of just 32% on Saturday. The growth on Sunday was just 10% over Saturday. Tanhaji recorded better occupancy on available screens than Malang. On Monday the drop was 59% over Sunday.
Malang 4th Day (Monday) Box Office Collection Report:
|Date||Amount (in Crores)||Growth/Drop|
|Friday, February 7, 2020||INR 6.71||N/A|
|Saturday, February 8, 2020||INR 8.89||32%|
|Sunday, February 9, 2020||INR 9.76||10%|
|Monday, February 10, 2020||INR 4.04||-59%|
The film collected Rs. 4.04 Crores on Monday. The total collection of the film stands at Rs. 29.40 in four days at the box office. The film needed to collect Rs. 30 Crores on 1st weekend to get into the safe zone. But the current figures are also decent. Malang is trending well in metro cities but other areas need to catch up soon.
The future of the film depends on its performance on weekdays. As there is a new film releasing this Friday Malang needs to have good trends in order to retain the good no of screens at the box office. Malang has been the best performing solo film of Aditya Roy Kapur’s career till now. It needs to trend better.
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